Stories
Making memories as a single mum
For journalist Rebecca Cope, photographing her daughter has become a love letter to their little family


Stories
For journalist Rebecca Cope, photographing her daughter has become a love letter to their little family


Journalist and former Tatler digital director Rebecca Cope has interviewed Hollywoodâs biggest names and reported from red carpets around the world, but her most meaningful subject is now much closer to home: her daughter, Luna. Since becoming a single mother, Rebecca has turned her lens inwards, using photography to capture fleeting moments of love, laughter and growth.
One of my favourite things to do is to go through my mumâs old photo albums. In fact, I think a lot of my earliest memories arenât really memories at all. Theyâre memories of these photographs, many of which have become seared into my brain. A family friend dancing to âThe Birdie Songâ by The Tweets at my fifth birthday party. Whooshing down the slide into a paddling pool in my garden one hot summerâs day. Standing on a wooden balance beam in the school playground throwing up a peace symbol with my Year Six classmates. So many of these moments would have been lost to me had they not been cemented in celluloid.Â
Say what you will about the destructive aspects of smart phones, but one thing that they have been truly beneficial for is making documenting our lives easier. Iâve found this to be especially true as Iâve become a parent â I epitomise that clichĂ© of the mum who sits scrolling through pictures of their baby once theyâve gone to sleep. Reliving moments from the day just past.Â
As a single mother, Iâve felt a particularly strong urge to document my daughter Lunaâs early years, perhaps because there is no one else to ârememberâ these moments with me. Itâs an insurance policy for my own mind, meaning I can always look back fondly and relive that first smile, footstep and âsay cheese!â pose.Â
I know that once sheâs older, sheâll cherish reliving these moments with me too, and itâll be obvious how much I doted on her and celebrated her every triumph. In many ways, photography is storytelling, and I want her to see that even though her story might not have been a typical one, it was still so full of joy. Â
Documenting my daughterâs early years is an insurance policy for my own mind, meaning I can always look back fondly
From the earliest days of her babyhood, I started snapping away. Her first picture is from mere hours after she was born, when I was reunited with my phone after a gruelling labour and emergency C-section. Sheâs got one eye closed and one eye open, as if sheâs winking at the camera. In another, taken in those blurry first few days postpartum, sheâs swaddled in the hospitalâs lilac muslins and sleeping angelically â unfortunately not a precursor of her sleep personality to come. Then thereâs photographs of us breastfeeding, which my doula insisted Iâd look back on fondly one day (I do), and our first bath together, where she has a truly joyful look on her face. Both perhaps ones now to show at her 18th birthday party.
A common feeling of the motherhood journey is that it goes too fast. You canât pinpoint those exact moments when your childâs face changes, or when they stop looking like a baby and start looking like a little person. Being able to trace how my daughterâs face has shifted is one of the most magical things that photography has allowed me to do. I can see the little girl she is becoming in those early pictures, but itâs amazing to see just how different she actually looks as well. And itâs so sweet watching her sassy personality become more and more evident. The almost three-year-old who dresses herself in a princess crown and sunglasses is very much cut from the same cloth as that winking newborn.Â
While she looked so much like her father at first, I now see more and more of myself in her. Itâs something that, considering the demise of my relationship with her father, gives me a lot of joy to see. Sheâs becoming a mini-me. Comparing photographs of us at similar ages is a favourite pastime.
Being able to trace how my daughterâs face has shifted is one of the most magical things that photography has allowed me to do
Towards the end of last year, my daughterâs paternal grandmother died suddenly. In the days afterwards, I combed throughout photographs of her with Luna, bitterly regretting that there werenât more. There are just 22, from the handful of times that they met. It seems a particularly cruel number to be able to share with my daughter when sheâs old enough to want to learn more about the Nanny she didnât get to know and appreciate. For this reason, Iâm trying harder than ever to capture moments between Luna and my mother, as well as with my sister, brother-in-law and auntie (as annoying as that might sometimes be for them). Itâs so important to me that she can see herself as part of a loving family despite its relatively small size.Â
Something else I need to get better at? Asking other people to take photos of the two of us together. While Iâve got endless candid snaps of her at play or with my friends and family, I probably only have around 10 of the two of us that donât involve a mirror selfie. I know that I cherish pictures of me and my parents growing up â it somehow roots us all more firmly in time to see us at different ages together. In the future, it will no doubt remind my daughter that I was a young(ish) person once too, navigating my own path through life, doing the best that I could.