Whilst much of our team had been working remotely, it was important to have most of the set design agreed prior to purchasing a single wood batten. We built a to-scale 3D model of how the set would work, solving build restrictions due to space whilst simultaneously deciding on furniture, propping and camera angles.
Once we’d laid the flooring, the walls were constructed using large 8ft x 4ft theatre flats. After three days and a whole load of filler, we had the skeleton of our set. It was paramount that the set was as versatile as possible, giving us the ability to morph into multiple rooms of a home with a quick lick of paint. We, therefore, made the set much wider than we initially needed, so we could shoot both with and without the doorframe, to further aid the illusion of multiple spaces.